-
Kenya's economy faces climate change risks: World Bank
-
War threatens Gulf's dugongs, turtles and birds
-
Germany targets oil firms to prevent wartime price gouging
-
EU to help reopen blocked oil pipeline in Ukraine
-
Cash handouts, fare hikes as Philippines battles soaring fuel costs
-
Indonesia weighs response to price pressures from Middle East war
-
In Hollywood, AI's no match for creativity, say top executives
-
Nvidia chief expects revenue of $1 trillion through 2027
-
Nvidia making AI module for outer space
-
Migrant workers bear brunt of Iran attacks in Gulf
-
Trump vows to 'take' Cuba as island reels from oil embargo
-
Equities rise on oil easing, with focus on Iran war and central banks
-
Nvidia rides 'claw' craze with AI agent platform
-
Damaged Russian tanker has 700 tonnes of fuel on board: Moscow
-
Talks towards international panel to tackle 'inequality emergency' begin at UN
-
EU talks energy as oil price soars
-
Swiss government rejects proposal to limit immigration
-
Ingredients of life discovered in Ryugu asteroid samples
-
Why Iranian drones are hard to stop
-
France threatens to block funds for India over climate inaction
-
"So proud": Irish hometown hails Oscar winner Jessie Buckley
-
European bank battle heats up as UniCredit swoops for Commerzbank
-
Italian bank UniCredit makes bid for Germany's Commerzbank
-
AI to drive growth despite geopolitics, Taiwan's Foxconn says
-
Filipinas seek abortions online in largely Catholic nation
-
'One Battle After Another' wins best picture Oscar
-
South Koreans bask in Oscars triumph for 'KPop Demon Hunters'
-
'One Battle After Another' dominates Oscars
-
Norway's Oscar winner 'Sentimental Value': a failing father seeks redemption
-
Indonesia firms in palm oil fraud probe supplied fuel majors
-
Milan-Cortina Paralympics end as a 'beacon of unity'
-
It's 'Sinners' vs 'One Battle' as Oscars day arrives
-
Oscars night: latest developments
-
US Fed expected to hold rates steady as Iran war roils outlook
-
It's 'Sinners' v 'One Battle' as Oscars day arrives
-
US mayors push back against data center boom as AI backlash grows
-
Who covers AI business blunders? Some insurers cautiously step up
-
Election campaign deepens Congo's generational divide
-
Courchevel super-G cancelled due to snow and fog
-
Middle East turmoil revives Norway push for Arctic drilling
-
Iran, US threaten attacks on oil facilities
-
Oscars: the 10 nominees for best picture
-
Spielberg defends ballet, opera after Chalamet snub
-
Kharg Island bombed, Trump says US to escort ships through Hormuz soon
-
Jurors mull evidence in social media addiction trial
-
UK govt warns petrol retailers against 'unfair practices' during Iran war
-
Mideast war cuts Hormuz strait transit to 77 ships: maritime data firm
-
How will US oil sanctions waiver help Russia?
-
Oil stays above $100, stocks slide tracking Mideast war
-
How Iranians are communicating through internet blackout
French star Isabelle Adjani on battling shyness for new pop album
She may be one of France's biggest film stars, but Isabelle Adjani admits she was too shy to record in the same room as celebrity collaborators like Seal and Simon Le Bon as she returned to music with her first album in 40 years.
The Oscar-nominated star of "Possession" and "Queen Margot" has won many awards for her film roles.
But she is also remembered fondly for her collaboration with late troubadour Serge Gainsbourg on the 1983 album "Pull Marine", which spawned a strange and unsettling hit single of the same name.
Her new album "Bande Originale", which is out Friday, has been in the works for no less than 17 years, and features a packed line-up of big name guests, including international stars like Seal, Le Bon (of Duran Duran) and Senegalese legend Youssou N'Dour.
But Adjani, who modestly refers to herself as merely "an actress who sings", says she was too "intimidated" to actually perform alongside them, and recorded her parts separately.
"I was afraid of wasting the time of these professionals who have better things to do than help an amateur find her voice," the 68-year-old told AFP with a laugh.
The playful, often self-mocking lyrics on "Bande Originale" carry several winks to Gainsbourg and she mentioned his name often during the interview with AFP.
She was happy Gainsbourg's daughter Charlotte has recently opened his Paris home to the public.
But she won't be visiting.
"I can't go into that house which I knew when it was so alive," she said. "I prefer to go to the Montparnasse cemetery and tell him: 'I've made another album, I hope that's ok!'"
- 'Protect myself' -
The lyrics also include a reference to hiding behind her ever-present sunglasses.
"I've been wearing them since I was 16," she said.
"I was raised with the idea that you should never look people in the eye. I protect myself with glasses. And a hat to stop the sky falling on my head."
"Bande Originale" shows her broad tastes, ranging from baroque classical composer Henry Purcell to US folk legend Joni Mitchell to modern electro-pop.
Its 14 songs form a "cinematographic" concept album -- the title means "soundtrack" in French -- and is meant to trace "a fictional year of a woman through her relations with men," Adjani said.
She dreams of making a musical film, but again the shyness gets in the way.
"I don't like to go knocking on doors. That's a mistake -- I never learned to go asking things from other people," she said.
As for the album, it is not yet clear if she will take it on tour.
"Oh la la... it would mean a lot of work," she said with another giggle.
M.Davis--CPN