-
Kenya's economy faces climate change risks: World Bank
-
'One Battle After Another' wins best picture Oscar
-
South Koreans bask in Oscars triumph for 'KPop Demon Hunters'
-
'One Battle After Another' dominates Oscars
-
Norway's Oscar winner 'Sentimental Value': a failing father seeks redemption
-
Indonesia firms in palm oil fraud probe supplied fuel majors
-
Milan-Cortina Paralympics end as a 'beacon of unity'
-
It's 'Sinners' vs 'One Battle' as Oscars day arrives
-
Oscars night: latest developments
-
US Fed expected to hold rates steady as Iran war roils outlook
-
It's 'Sinners' v 'One Battle' as Oscars day arrives
-
US mayors push back against data center boom as AI backlash grows
-
Who covers AI business blunders? Some insurers cautiously step up
-
Election campaign deepens Congo's generational divide
-
Courchevel super-G cancelled due to snow and fog
-
Middle East turmoil revives Norway push for Arctic drilling
-
Iran, US threaten attacks on oil facilities
-
Oscars: the 10 nominees for best picture
-
Spielberg defends ballet, opera after Chalamet snub
-
Kharg Island bombed, Trump says US to escort ships through Hormuz soon
-
Jurors mull evidence in social media addiction trial
-
UK govt warns petrol retailers against 'unfair practices' during Iran war
-
Mideast war cuts Hormuz strait transit to 77 ships: maritime data firm
-
How will US oil sanctions waiver help Russia?
-
Oil stays above $100, stocks slide tracking Mideast war
-
How Iranians are communicating through internet blackout
-
Global shipping industry caught in storm of war
-
Why is the dollar profiting from Middle East war?
-
Oil dips under $100, stocks back in green tracking Mideast war
-
US Fed's preferred inflation gauge edges down
-
Deadly blast rocks Iran as leaders attend rally in show of defiance
-
Moscow pushes US to ease more oil sanctions
-
AI agent 'lobster fever' grips China despite risks
-
Thousands of Chinese boats mass at sea, raising questions
-
Casting directors finally get their due at Oscars
-
Fantastic Mr Stowaway: fox sails from Britain to New York port
-
US jury to begin deliberations in social media addiction trial
-
NASA says 'on track' for Artemis 2 launch as soon as April 1
-
Valentino mixes 80s and Baroque splendour on Rome return
-
Dating app Tinder dabbles with AI matchmaking
-
Scavenging ravens memorize vast tracts of wolf hunting grounds: study
-
Top US, China economy officials to meet for talks in Paris
-
Chile's Smiljan Radic Clarke wins Pritzker architecture prize
-
Lufthansa flights axed as pilots walk out
-
Oil tops $100 as fresh Iran attacks offset stockpiles release
-
US military 'not ready' to escort tankers through Hormuz Strait: energy secretary
-
WWII leader Churchill to be removed from UK banknotes
-
EU vows to 'respond firmly' to any trade pact breach by US
-
'Punished' for university: debt-laden UK graduates urge reform
-
Mideast war to brake German recovery: institute
'Flow', Latvia's trailblazing animation, wins Oscar
"Flow", a dialogue-free tale of animals surviving disaster, scored Sunday's Oscar for best animated feature, capping a remarkable awards season for the Latvian film made on a minuscule budget.
The moving film follows a solitary black cat who, confronted with a sudden flood, reluctantly embarks on a journey in the company of an unlikely menagerie including a buoyant golden retriever and an unruffled capybara.
Independent Latvian filmmaker Gints Zilbalodis's work bested "Inside Out 2", "Memoir of a Snail", "Wallace & Gromit: Vengeance Most Fowl" and "The Wild Robot" to claim the prize, the first ever for Latvia.
Zilbalodis acknowledged that achievement onstage in accepting his statuette, while also nodding to a core tenet of the film: "We're all in the same boat, we must overcome our differences and find ways to work together -- thank you."
For Zilbalodis, the story reflects his own experience: that of an individualist -- he made his first film on his own -- learning to work in a team.
"This is a story about a character who starts out being very independent, and then has to learn how to trust others and how to collaborate," Zilbalodis told AFP in an interview before the Oscars.
To Zilbalodis, the endeavour paid off: with a modest budget of $3.6 million, "Flow" has won audiences and critics alike, all while making history for Latvian cinema.
Its Oscar nominations in the best animated feature and international film categories were a first for any film in the Baltic country of 1.8 million people.
"Flow" won a Golden Globe in January; it was then the highest prize ever for a Latvian film, drawing more than 15,000 fans to the museum in Riga where Zilbalodis displayed the statuette.
The film opens with the cat discovering that people have deserted their dwellings and water is approaching the nearby meadows.
Against this apocalyptic background, the cat forms an unlikely comradeship with a dog, a capybara, a secretary bird and a lemur -- all displaying the distinctive features of their species.
As they board a sailboat amid surging water, the pack learns how to cooperate and respect each other's needs and boundaries.
- 'Tickle the capybara' -
Zilbalodis created the film on Blender, a free open-source software, and modelled his animal characters after careful observation of their traits.
While not a word is uttered throughout the film, the protagonists make their own sounds that the filmmaker recorded from real-life animals -- with one notable exception.
The capybara needed "extra assistance", Zilbalodis said, explaining that to record it, the crew visited a zoo, only to find that capybaras are normally silent.
"A zookeeper had to actually go in and tickle the capybara," Zilbalodis said.
The result was not what the crew expected -- a high-pitched sound that the "Flow" team judged incompatible with the laid-back capybara.
Ultimately, the alternative sound actor they opted for was a baby camel.
"Flow", only the second animated film in Oscar history to be nominated in both the animated and international feature categories, continues to break records.
Latvia's film centre has said more than 300,000 people saw it in cinemas, making it the most-viewed film in Latvian history, surpassing "Avatar" and "Titanic".
Zilbalodis said he partly attributed this success to the "innocence" of the animals.
"This just shows that we can connect with these types of characters, because we have a lot more in common than we might think," he said.
"We all share the same fears and instincts and needs."
Ng.A.Adebayo--CPN