-
Kenya's economy faces climate change risks: World Bank
-
Filipinas seek abortions online in largely Catholic nation
-
'One Battle After Another' wins best picture Oscar
-
South Koreans bask in Oscars triumph for 'KPop Demon Hunters'
-
'One Battle After Another' dominates Oscars
-
Norway's Oscar winner 'Sentimental Value': a failing father seeks redemption
-
Indonesia firms in palm oil fraud probe supplied fuel majors
-
Milan-Cortina Paralympics end as a 'beacon of unity'
-
It's 'Sinners' vs 'One Battle' as Oscars day arrives
-
Oscars night: latest developments
-
US Fed expected to hold rates steady as Iran war roils outlook
-
It's 'Sinners' v 'One Battle' as Oscars day arrives
-
US mayors push back against data center boom as AI backlash grows
-
Who covers AI business blunders? Some insurers cautiously step up
-
Election campaign deepens Congo's generational divide
-
Courchevel super-G cancelled due to snow and fog
-
Middle East turmoil revives Norway push for Arctic drilling
-
Iran, US threaten attacks on oil facilities
-
Oscars: the 10 nominees for best picture
-
Spielberg defends ballet, opera after Chalamet snub
-
Kharg Island bombed, Trump says US to escort ships through Hormuz soon
-
Jurors mull evidence in social media addiction trial
-
UK govt warns petrol retailers against 'unfair practices' during Iran war
-
Mideast war cuts Hormuz strait transit to 77 ships: maritime data firm
-
How will US oil sanctions waiver help Russia?
-
Oil stays above $100, stocks slide tracking Mideast war
-
How Iranians are communicating through internet blackout
-
Global shipping industry caught in storm of war
-
Why is the dollar profiting from Middle East war?
-
Oil dips under $100, stocks back in green tracking Mideast war
-
US Fed's preferred inflation gauge edges down
-
Deadly blast rocks Iran as leaders attend rally in show of defiance
-
Moscow pushes US to ease more oil sanctions
-
AI agent 'lobster fever' grips China despite risks
-
Thousands of Chinese boats mass at sea, raising questions
-
Casting directors finally get their due at Oscars
-
Fantastic Mr Stowaway: fox sails from Britain to New York port
-
US jury to begin deliberations in social media addiction trial
-
NASA says 'on track' for Artemis 2 launch as soon as April 1
-
Valentino mixes 80s and Baroque splendour on Rome return
-
Dating app Tinder dabbles with AI matchmaking
-
Scavenging ravens memorize vast tracts of wolf hunting grounds: study
-
Top US, China economy officials to meet for talks in Paris
-
Chile's Smiljan Radic Clarke wins Pritzker architecture prize
-
Lufthansa flights axed as pilots walk out
-
Oil tops $100 as fresh Iran attacks offset stockpiles release
-
US military 'not ready' to escort tankers through Hormuz Strait: energy secretary
-
WWII leader Churchill to be removed from UK banknotes
-
EU vows to 'respond firmly' to any trade pact breach by US
-
'Punished' for university: debt-laden UK graduates urge reform
Marianne Faithfull: from muse to master
Marianne Faithfull, who died on Thursday aged 78, was one of the great survivors of the Swinging Sixties, bouncing back from drink and drug oblivion to become a celebrated and distinctive singer-songwriter.
Long known for her tempestuous relationship with the Rolling Stones' Mick Jagger -- who, with bandmate Keith Richards, penned her haunting hit "As Tears Go By" in 1964 -- she shook off the mantle of "muse" to carve out her own unique musical niche.
She was born on December 29, 1946 into a glamorous aristocrat family in London -- her mother was an Austro-Hungarian baroness and her father an erudite British spy.
Faithfull made her first tentative appearances on the folk scene before being drawn into the swirling orbit of the Stones.
She brought bohemian sophistication and an innate sense of style to the suburban Jagger after being introduced to him by the Stones' manager Andrew Loog Oldham, who famously dismissed her as "an angel with big tits".
"I was treated as somebody who not only can't even sing, but doesn't really write, just something you can make into something," she later said.
Yet her cut-glass delivery gave an eerie melancholy to such upbeat songs as "This Little Bird", "Go Away From My World", "Morning Sun" and "Broken English".
By the time she moved in with Jagger aged 19, Faithfull had already been briefly married and had a son.
As well as co-writing "Sister Morphine", she has been credited with inspiring the classic songs "You Can't Always Get What You Want" and "Sympathy for the Devil", after introducing Jagger to Russian writer Mikhail Bulgakov's classic novel "The Master and Margarita".
The pair were the king and queen of Swinging London, and Faithfull was also best friends with Anita Pallenberg, the artist and actress -- and sometime girlfriend of two other Stones members, Brian Jones and Keith Richards -- who would become another icon of the Sixties rebellion.
- Addict on the streets -
Everyone wanted a piece of her, with Faithfull appearing in Jean-Luc Godard's film "Made in USA", where she sang "As Tears Go By". She also starred opposite Glenda Jackson in Chekhov's "Three Sisters" at Britain's National Theatre.
But Faithfull was also becoming addicted to cocaine and she felt "destroyed... and judged as a bad mother" after the police gloried in revealing that they found her wearing nothing but a fur rug in a highly publicised drugs raid in 1967 that saw both Jagger and Richards convicted.
She left Jagger three years later as her life spiralled out of control and ended up living rough for nearly two years in London.
Addicted to heroin, she lost custody of her child and attempted suicide.
When she next appeared in public on a US television show in 1973 dressed as a nun to sing "I've Got You Babe" with David Bowie, her fine, faltering voice had gone, to be replaced by a deep whisky-soaked rasp that would later become her trademark.
Six years later her album "Broken English" was a revelation, not just because of the change in her voice and the way she unsparingly exposed the depths to which she had sunk, but because it was a musical tour de force.
It revived her career. But her drugs demons had not been tamed, and now living in the United States she hit the wall again in the mid-1980s.
- Living legend -
Having come out of rehab, she moved back to Ireland -- a refuge for her throughout her life -- and began reinventing herself as a jazz and blues singer.
It was there that she began to hone her musical talent, inspired by her interest in pre-war Weimar Germany, and revive her acting career, playing the mother in Pink Floyd's rock opera "The Wall" in 1990.
In the mountains south of Dublin, she also wrote the first volume of her autobiography, which was published alongside "A Collection of Her Best Recordings", featuring her old friends Richards and Stones drummer Charlie Watts and guitarist Ron Wood.
Her reputation continued to grow with a string of albums featuring collaborations with Daniel Lanois, Emmylou Harris, Pink Floyd's Roger Waters and PJ Harvey and Nick Cave.
She was now a living legend, playing herself as God in the British sitcom "Absolutely Fabulous" -- Pallenberg played the devil.
Faithfull herself then played the Devil in the Tom Waits and William S. Burroughs musical "The Black Rider".
Sofia Coppola cast her as the Empress Maria Theresa in her 2008 film "Marie Antoinette".
And she was a guest singer on a host of songs including "The Memory Remains" by the US heavy metal band Metallica.
Only in her later years, however, did her music finally fully escape the shadow of her personal life.
Her final album, "Negative Capability" (2018), which she wrote and produced in Paris, where she spent most of her last years, was a hugely acclaimed meditation on loss and loneliness.
Dogged by bad health for decades, she escaped several brushes with death, beating both breast cancer and hepatitis.
Only weeks before the end, she caused a stir when she appeared in her wheelchair in the front row of a Paris fashion show.
Y.Jeong--CPN