-
Kenya's economy faces climate change risks: World Bank
-
Cash handouts, fare hikes as Philippines battles soaring fuel costs
-
Indonesia weighs response to price pressures from Middle East war
-
In Hollywood, AI's no match for creativity, say top executives
-
Nvidia chief expects revenue of $1 trillion through 2027
-
Nvidia making AI module for outer space
-
Migrant workers bear brunt of Iran attacks in Gulf
-
Trump vows to 'take' Cuba as island reels from oil embargo
-
Equities rise on oil easing, with focus on Iran war and central banks
-
Nvidia rides 'claw' craze with AI agent platform
-
Damaged Russian tanker has 700 tonnes of fuel on board: Moscow
-
Talks towards international panel to tackle 'inequality emergency' begin at UN
-
EU talks energy as oil price soars
-
Swiss government rejects proposal to limit immigration
-
Ingredients of life discovered in Ryugu asteroid samples
-
Why Iranian drones are hard to stop
-
France threatens to block funds for India over climate inaction
-
"So proud": Irish hometown hails Oscar winner Jessie Buckley
-
European bank battle heats up as UniCredit swoops for Commerzbank
-
Italian bank UniCredit makes bid for Germany's Commerzbank
-
AI to drive growth despite geopolitics, Taiwan's Foxconn says
-
Filipinas seek abortions online in largely Catholic nation
-
'One Battle After Another' wins best picture Oscar
-
South Koreans bask in Oscars triumph for 'KPop Demon Hunters'
-
'One Battle After Another' dominates Oscars
-
Norway's Oscar winner 'Sentimental Value': a failing father seeks redemption
-
Indonesia firms in palm oil fraud probe supplied fuel majors
-
Milan-Cortina Paralympics end as a 'beacon of unity'
-
It's 'Sinners' vs 'One Battle' as Oscars day arrives
-
Oscars night: latest developments
-
US Fed expected to hold rates steady as Iran war roils outlook
-
It's 'Sinners' v 'One Battle' as Oscars day arrives
-
US mayors push back against data center boom as AI backlash grows
-
Who covers AI business blunders? Some insurers cautiously step up
-
Election campaign deepens Congo's generational divide
-
Courchevel super-G cancelled due to snow and fog
-
Middle East turmoil revives Norway push for Arctic drilling
-
Iran, US threaten attacks on oil facilities
-
Oscars: the 10 nominees for best picture
-
Spielberg defends ballet, opera after Chalamet snub
-
Kharg Island bombed, Trump says US to escort ships through Hormuz soon
-
Jurors mull evidence in social media addiction trial
-
UK govt warns petrol retailers against 'unfair practices' during Iran war
-
Mideast war cuts Hormuz strait transit to 77 ships: maritime data firm
-
How will US oil sanctions waiver help Russia?
-
Oil stays above $100, stocks slide tracking Mideast war
-
How Iranians are communicating through internet blackout
-
Global shipping industry caught in storm of war
-
Why is the dollar profiting from Middle East war?
-
Oil dips under $100, stocks back in green tracking Mideast war
Emma Thompson confronts nudity and ageing in Sundance sex worker comedy
Emma Thompson's naked scene in her new film about an older woman hiring a sex worker was "probably the hardest thing I've ever had to do," she told the Sundance film festival Saturday.
The Oscar-winning actress, 62, stars in "Good Luck To You, Leo Grande" as a repressed former schoolteacher who pays a handsome male escort for the sexual adventures she regrets having shunned as a younger woman.
The heartfelt comedy set almost entirely in a hotel room addresses the ethics of sex work and taboos surrounding motherhood and ageing -- and sees Thompson tackle several intimate and nude scenes.
The actors and director rehearsed "entirely nude" and played games that involved discussing their bodies on the scaled-down set in order to build trust.
Still, "it's very challenging to be nude at 62," said Thompson.
"I don't think I could've done it before the age that I am," she told an online panel.
"And yet, of course the age that I am makes it extremely challenging because we aren't used to seeing untreated bodies on the screen."
In addition to sexual scenes with Daryl McCormack, 29, Thompson's character disrobes before a mirror and looks at her body "in a completely relaxed, un-judgmental way."
"I have never done that... She doesn't alter herself, lift herself up, suck her stomach in, turn around or try to alter what she sees," said Thompson.
Despite trusting the filmmakers, Thompson said she "still found it fantastically hard to do."
"Probably the hardest thing I've ever had to do really -- and that's interesting in itself."
"That tells the whole story of my life as a woman surrounded by impossible demands and images of bodies," she said.
"That's the great tragedy of the female body in the 20th and 21st centuries. And it's a narrative that we absolutely have to change."
Earlier Saturday at Sundance, new docuseries "We Need to Talk About Cosby" premiered.
It focusses on the gulf between Bill Cosby's decades-long status as "America's dad" and long-simmering allegations of serial sexual assault.
Cosby was found guilty of drugging and sexually assaulting a woman, but his conviction was overturned on a technicality last year and he is currently free.
The series, described by The Hollywood Reporter as a "provocative and important" attempt to spark conversation about the scandal, airs on US network Showtime from January 30.
Also premiering at Sundance on Saturday was "Sharp Stick," the first new film in over a decade from "Girls" creator Lena Dunham.
The Sundance festival runs until January 30.
L.K.Baumgartner--CPN